In Greek mythology Hestia, the oldest daughter of Cronus and Rhea is the virgin goddess of the hearth, architecture, and of the right ordering of domesticity and the family. She received the first offering at every sacrifice in the household. In the public domain, the hearth of the prytaneum functioned as her official sanctuary.
With the establishment of a new colony, flame from Hestia’s public hearth in the mother city would be carried to the new settlement. She sat on a plain wooden throne with a white woolen cushion and did not trouble to choose an emblem for herself.
In Roman mythology, her more specifically civic approximate equivalent was Vesta, who personified the public hearth, and whose cult of the ever-burning hearth bound Romans together in the form of an extended family. The similarity of names between Hestia and Vesta, is misleading: "The relationship hestia-histie-Vesta cannot be explained in terms of Indo-European linguistics; borrowings from a third language must also be involved," scholar Walter Burkert has written.At some primitive level her name means "home and hearth", the oikos, the household and its inhabitants.
"An early form of the temple is the hearth house; the early temples at Dreros and Prinias on Crete are of this type as indeed is the temple of Apollo at Delphi which always had its inner hestia"The Mycenaean great hall, such as the hall of Odysseus at Ithaca was a megaron, with a central hearth fire.
The hearth fire of a Greek or a Roman household was not allowed to go out, unless it was ritually extinguished and ritually renewed, accompanied by impressive rituals of completion, purification and renewal. Compare the rituals and connotations of an eternal flame and of sanctuary lamps. At the more developed level of the polis, Hestia symbolizes the alliance between the colonies and their mother cities.
